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Interface between Dance and Design: Concepts, Dimensions and Illustrations

Ojasi Sukhatankar
Independent Researcher
Email: ojasidances@googlemail.com

 Volume 6, Number 3, 2016 I Full Text PDF

Article DOI:  10.21659/chitro.v6n3.04

Received October 06, 2016;
Revised October 16, 2016;
Accepted October 19, 2016;
Published October 22, 2016

Abstract

The discipline of dance is not as narrow as one usually tends to suppose. Its interdisciplinary study with other non-dance disciplines such as design can open new insights of creativity for dancers as well as designers. This article explains how both dance and design make use of four core concepts, namely body, space, time, and aesthetics. It also explains how aesthetic experience, its creation, expression and communication made via a dance-item, is analogous with that of a designed artifact. Taking one illustration from each discipline, the article further reveals how both dance and design are a mode of non-verbal communication to viewers. Lastly the article shows that a conscious embedding of design in every dance-pose and dance-movement brings in it one of its most important factors, the aesthetics, without which dance cannot be complete. The author believes that the interdisciplinary research undertaken in this article will enhance theoretical and practical understanding of aesthetics to benefit students, teachers and researchers of both disciplines while they work creatively in their individual fields of work.

Keywords: Aesthetics, Body, Communication, Dance, Design, Expression, Space, Time

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