African Inspired Bridal Shower Dress

Chimbindi Felisia1, Mangwiro Kudzai2, Dandira Tarirai3, Gwisai Josline4

1Lecturer Chinhoyi University of Technology. Email: felisiachimbindi5814@gmail.com

2Fashion Designer

3Lecturer Chinhoyi University of Technology

4Lecturer Chinhoyi University of Technology

  Volume 2, Number 1, 2017 I Full Text PDF

DOI: 10.21659/cjad.21.v2n101

 Abstract

The study sought to design, construct and exhibit a collection of bridal shower dress emphasizing the roles played by a traditional African vaShona wife, inspired by kitchen utensils and artifacts used in the kitchen. Ethnographic methods were used to as the aim of the research was to give cultural interpretations on roles played by traditional vaShona wife and utensils used to cook food. Participant observations and interviews were used to assess the level of acceptance and appreciation of designs of bridal shower dress designs and come up with improvement. Findings revealed that bridal shower wear inspired by traditional kitchen utensils and artifacts is highly accepted. The youths appreciated the intergenerational transfer of culture and traditions. It was recommended that designers may incorporate cultural features on wedding gowns for brides and on grooms’ wear to depict cultural beliefs and values. Further research is required on groom’s wear to depict cultural values among the various cultural groups in Zimbabwe that include Shangani, Ndau, Ndebele and others.

 Keywords: Bridal shower, dress, bride, exhibition

Influence of Sikh lifestyle on Guler miniature paintings

Gurdeep Kaur & Rohita Sharma

Department of Business and fine arts, Lovely Professional University, Phagwara, Punjab, India.  Email. gurdeepkaur121@yahoo.in.

  Volume 6, Number 3, 2016 I Full Text PDF

Article DOI:  10.21659/chitro.v6n3.08

Received December 06, 2016; Accepted December 19, 2016; Published January 26, 2017

 Abstract

The scholars of Indian miniature painting observe the Sikh influences on Pahari miniature painting during Sikh dominancy but in actual, Sikhism and its associations with Hill aristocracy were very deep and prior then Maharaja Ranjit Singh and it should not be disremember that Lahore was one of the glorious art capital of Mughals in Punjab from the days of Emperor Akbar. So Sikhs were also not unaware of artistry and painting. Sikh paintings of 19th century reflect splendid lifestyle and fashion adopted by the Sikhs of Lahore during Sikh dominancy in Punjab Plains which reflected in the court paintings of Guler. But the study also focuses to grasp the Sikh lifestyle before, during and after Maharaja Ranjit Singh and its impact on the Rajput rulers of Guler as the results of Sikh-Rajput associations, which buried in Rajput culture of Guler; and later reflected precisely in paintings of Guler during 18th-19th century. The two different lifestyles under different cultures and ethos merged and influenced each other which reflected in surviving paintings. The study is based on data analysis and explorative method. The study concludes that Sikh lifestyle influenced imprecisely Rajput lifestyle in the beginning but with the expansion of Sikh power, it continuously increased till the last of nineteenth century A.D and emerged and reflected in later court paintings of Guler specifically.

 Key words: Rajput, Guler, Lahore, dress, Sikh influence, lifestyle.

FULL TEXT PDF>>