Volume VI, Number 1, 2016

Volume VI, Number 1, 2016

January-April

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Editorial
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Critical Articles
A Scenographic Study in Draupadi’s Festival
Pejjai Nagaraju, University of Hyderabad
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Contemporary Art Practice in Kashmir with Special References to the Works of Shafi Chamman, Veer Munshi and Inder Saleem
Waseem Mushtaq, Aligarh Muslim University, Aligarh, India
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From Caves to Miniatures: Portrayal of Woman in Early Indian Paintings
Mandakini Sharma, Ila Gupta & P. N. Jha, Indian Institute of Technology, Roorkee
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Trends Evaluation in Wooden Folding Screen of Saharanpur
Aayushi Verma & Ila Gupta, Indian Institute of Technology, Roorkee
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Embodiment of Beauty in Stone: A Survey of Stone Sculptures from Sanghol
Ardhendu Ray, Independent Researcher
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Indian Classical Dance Forms (ICDs): Three Dimensions of Analysing Their Unity and Diversity
Ojasi Sukhatankar, Sri Aurobindo Sadhana Kendra,Gujarat
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Wooden Idols of India: the Antiquity of a Traditional Excellence
Sanjay Sen Gupta, Amity School of Fine Arts, Kolkata
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Jageshwar Dham
Kaberi Ghosh, Independent Researcher
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Katarmal Sun Temple
Kaberi Ghosh, Independent Researcher
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A Critical Study of Emilia Onuegbu’s Cartoons
John Otu, Federal College of Education, Zaria, Nigeria
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Join-as-MemberApplications are invited from people--both from India and abroad, working in the field of art, architecture, sculpture, crafts, designing, culture and history for serving the journal in various capacities like Advisory Board Member, Editorial Board Member and Reviewers. We also seek artists and artisans to join us. Since the journal is a non-profit non-commerical initiative, joining the Board is non-monetary voluntary affair. Please send your short CV to editor@chitrolekha.com along with a small photograph.

About the Journal

The Chitrolekha Journal on Art and Design (E-ISSN 2456-978X) is a scholarly platform for discussions on the evolution and intercategorial development of art and design. The journal explores arts both as a mode of signaling as well as being in an ontological sense. The mystery of the first arts of our ancestors intrigues us today, from a scientific as much as an aesthetic perspective. Similarly the future of arts leads us to think of things quite unknown to us. The scope of the journal therefore, is open-ended so as to be able to incorporate and address emerging areas in human arts and sciences.