Category: CJAD V3N1

Gaze, Face, and Theatricality: Facing the Faceless Man in a Burmese Parabaik-Painting of Royal Court Performances

by Editor | Jun 20, 2019 | CJAD V3N1, Painting | 0 |

Lorna Q. Israel International Studies Department, Miriam College, Quezon City, Philippines ORCID id 0000-0003-3747-6291, email: lisrael@mc.edu.ph Volume 3, Number 1, 2019 I Full Text PDF DOI: 10.21659/cjad.31.v3n103 Abstract...

Deathbed, Breathing the Last, and Funeral Procession: Musing under the canopy of history

by Editor | Jun 20, 2019 | CJAD V3N1, Performing Arts | 0 |

R.K. K. Rajarajan School of Tamil, Indian Languages and Rural Arts, Gandhigram Rural University, Gandhigram – 624 302. Email: rkkrajarajan@yahoo.com Volume 3, Number 1, 2019 I Full Text PDF DOI: 10.21659/cjad.31.v3n102...

Radhe Krishna Temple of Baroh, Kangra: A Photo Journey

by Editor | Jun 20, 2019 | CJAD V3N1, Sculpture | 0 |

Sapna Dogra PhD from from Jawaharlal Nehru University. Email: sapnardm@gmail.com Volume 3, Number 1, 2019 I Full Text PDF DOI: 10.21659/cjad.31.pev3n101 Introduction In this photo essay, I want to show the spectacular beauty...

The European Influence on Sikh Portraiture: Representations of Maharaja Ranjit Singh, Sher-e-Punjab (the Lion of the Punjab)

by Editor | Jun 20, 2019 | CJAD V3N1 | 0 |

Atsushi Ikeda PhD Candidate, History of Art and Archaeology, School of Oriental and African Studies, University of London, United Kingdom. Email: ikedatsushi@gmail.com Volume 3, Number 1, 2019 I Full Text PDF...

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