Varuna Semwal1* , Shreejit Guha2 & Debkumar Chakrabarti3
1,2,3University of Petroleum and Energy Studies, India. *Corresponding author.
Chitrolekha Journal 8:1 2024. https://doi.org/10.21659/cjad.81.v8n105
[Article History: Received: 15 April 2024. Revised: 26 April 2024. Accepted: 28 April 2024. Published: 30 April 2024.]
Abstract
Symbolic patterns and religious motifs are commonplace in Indian folk-art traditions such as in Broto Folk art, where floor design patterns were practised as a ritual relevant to the issues prayed to for well-being. As the designs responded to the shifting trends in society have impacted the motifs throughout time, and efforts to preserve and promote resulted in a cumulative action by artists as paintings or decorative art pieces. Broto Folk art, one of the oldest indigenous crafts from India, has been a testimony to the evolving times of history. Often linked by its roots to the Indus Valley Civilization, this ancient craft- its motifs, patterns and design can be studied to explore the thematic representation of time. Through analysis of the designs from various times in history, much information can be uncovered about the lifestyles, and aspirations of the people at the time and society. Using motifs, floor arts such as Broto folk art reflect the aspirations of society at the time. To mirror the aesthetic aspirations of the populace in the present times, contemporary social practices ought to dictate floor designs. An analysis of the materials, symbolism, and hues of a work of art can provide insights into the culture where it was created. As a result of the shifting social dynamics, aspirations have also evolved, impacting the motifs and designs utilised to portray the same. Considering the evolving lifestyle and societal value systems, this study examines the thematic representation of society in Broto Folk art designs via interviews with a group of selected folk artists and surveys.
Keywords: Floor line art, Broto-folk art, elements and composition, contemporary design, and society
Sustainable Development Goals: Peace, Justice and Strong Institutions
Citation: Semwal, V. & Guha, S. & Chakrabarti, D. (2024). From Tradition to Transformation: Exploring Broto Folk Art of Bengal. Chitrolekha Journal 8:1 https://doi.org/10.21659/cjad.81.v8n105
